pine

Transform the exterior of the uploaded home image into a mountain chalet style while preserving its original structure, windows, and proportions. Modify materials to timber logs and natural stone, colors to warm browns and off-whites, and roof style to a steep gable roof with shingles. Use golden hour sunlight in an alpine mountain environment. Add landscaping with pine trees and stone pathways. Render as an ultra-realistic architectural visualization in a cinematic style.

Generate a hyper-realistic winter scene featuring a classic wood-burning fireplace surrounded by minimalist seating: a pair of boucle armchairs with textured throws and a reclaimed wood coffee table. Use a Fujifilm X-T5 with a 56mm f/1.2 lens for a tight interior frame, focused directly toward the flickering fire and surrounding décor. Warm light from the fire, paired with dim wall sconces, should cast rich amber and honey tones across the room. Include pine branches in a rustic vase and hot cocoa mugs on the table. Color gradient: toffee brown, burnt orange, cream, and soft charcoal. Let the atmosphere feel festive, warm, and nostalgic. Include the brand logo embossed on a throw pillow and add copy overlay in serif font: “Warmth That Lingers | [Brand Name] Fireside Living.” Designed for seasonal advertising, print catalogs, and winter social campaigns.

A close-up minimalist pine nightstand, smooth lines, organic forms, and natural wood materials. Retro elegance, warm earth tones, clean simplicity, and subtle textures. The focus is on functionality and form with gentle lighting highlighting the craftsmanship. --s 350 --v 6.1

Snowy cabin in woods, painted with bold, textured strokes using a palette knife, in the style of expressive impasto art. Rich, layered colors like deep crimson, ochre, and cobalt blue blend dynamically, creating a sense of movement and depth. The background features abstract, organic shapes in muted earth tones, contrasting with the vibrant foreground. The composition feels tactile and alive, evoking a raw, emotional connection to the subject --ar 4:3